deviant art

Deviant Login Shop  Join deviantART for FREE Take the Tour
[x]
Download File
HTML, 1.8 KB
more ▶

More from *Nemonus

Featured in Groups:

Details

November 28, 2011
1.8 KB
Link
Thumb

Statistics

Comments: 15
Favourites: 14 [who?]

Views: 509 (0 today)
Downloads: 7 (0 today)
[x]
before

when your christening failed
we found another bottle, heaved it
against the side of the sea, watched the champagne
sizzle in the foam, and heard the rope snap.
crew scattered. the prince raised his hand, he said
something; I do not remember, but frowning
under his black hat he turned and later that day
rushed to his car. you denied princes the first time we
let you; or at least,
annoyed one.
I tasted the wasted champagne in the back of my throat.

We did not move fast enough
to accommodate you, and so you shied
at the gate, protesting the locks and walls
made for smaller ships. Looking up, I wondered
how many in the crowd were betting on you sinking beneath
the weight of the iron heart in your breast: silver coins passed
from hand to hand as it was all maps for me: New York waiting
on white paper far across the servant tides of seas strong-fettered;
you would do this and many more. We simply had to learn you first.
We had to stretch out along the gaps and connect the country.
In the future, all ships would be like this.
People would travel across on holiday.
You would mother industries.

They told me they could build you a heart, I
said do it now, then, and I saw the iron being pulled in
a few days later: to descend your small stairs and keep the thought of the sky in hand
is to take, also white-gloved, the sepulchral bat-winged majesty of your pumping arms
leashed close to your heart with the toothy gears:
apt for all quarters lashed and stars to port sailing toward the inky east.
Let's go home again.
Let's be mariners.

after
:iconnemonus:
For :iconhammeredpoetry:. Requirements:

Dramatic monologue. Check.
From the perspective of someone from 50 years into the past or future... Check. He’s Isambard Kingdom Brunel, who besides having an awesome name, engineered pretty much all of the cool things in Bristol. It’s fifty years in my past and at least fifty years in his future from when the event depicted happened.
...and at least one continent distant... At the time of this writing I’m an American living in England: I’m writing as Brunel, an Englishman, during a (fictional) stay in America. I hope that counts.
...who has reached old age. Check.
Create a voice. Erm. I tried to avoid ‘to be’ verbs like the plague, and give a sense of someone who was making words that could possibly be poetry without ever having an intention of them being so. Other than that, creating voice has always been my weakness and there’s far too much of me in here.
Decide who their audience is. The ship Brunel designed, the SS Britain. Again, I can’t consider this a success because it’s not like I’ve never written anyone monologuing to transportation before. As odd as that sounds.
25-60 lines. Check.
Add a Comment:
 

The Artist has requested Critique on this Artwork

Please sign up or login to post a critique.

love 0 0 joy 0 0 wow 1 1 mad 0 0 sad 0 0 fear 0 0 neutral 0 0
:icondailylitdeviations:
Your wonderful literary work has been chosen to be featured by DailyLitDeviations in a news article that can be found here [link]
Be sure to check out the other artists featured and show your support by :+fav:ing the News Article.
Reply
:iconnemonus:
Thank you so much! :)
Reply
:icondailylitdeviations:
You are quite welcome!
Reply
:iconcrumpetsharvey:
`CrumpetsHarvey Nov 29, 2011  Professional Writer
It's not obvious that this is 50 years from the event, but since I think I can forgive you this. You're right that the voice is weak, but it's getting there. It's very clear here:
the prince raised his hand, he said
something; I do not remember

and here:
They told me they could build you a heart, I
said do it now, then, and I saw the iron being pulled in
a few days later

and there are other moments where it is there enough that, were that faint hint there all the way through, I would totally believe it, but sometimes it gets lost under the more poetic voice.

However I really like the idea of Isambard Kingdom Brunel addressing his ship, and the poetry is, in its own right, almost universally strong. I would like more voice, but other than that complaint this is very skilled work.

:)
Reply
:iconnemonus:
Thank you. :) I know I have trouble with voice and am going to work on it even though I'm honestly not sure where even to start. Your comment was very helpful.
Reply
:iconcrumpetsharvey:
`CrumpetsHarvey Nov 30, 2011  Professional Writer
Hmmm... might have to write some sort of article on this. I don't know exactly what will kick start you into "getting" voice, but I've been looking around for ideas:

one thing to do is to listen to how people (especially strangers) speak aloud and notice anything they say that is different from how you would say it.

[link] This guy has picked up on 2 features: a person's job, and class. A person's job will probably involve jargon specific to their field. Isambard Kingdom Brunel, for instance, will know a lot of terms relating to engineering and use them every day. Their class (or level of education at least) will influence the range of their vocabulary, the grammatical choices they make, and what sort of slang they use (all classes have slang, but it varies considerably between them).

Where a character comes from will also have an effect, on vocabulary, grammatical choices, and speech patterns (I'm sure you've observed this as an American living in Bristol; then again perhaps you've done this to a larger extent than I've been able to notice, as a native Briton living 45 minutes up the M5 :P). And finally people have individual quirks which they may share only with their close group of friends.

After that it's just a case of identifying all the little unique features which together make up a distinct voice. A comprehensive list would of course be impossible, but you might consider things like how often characters use contractions (don't instead of did not), whether they are more likely to say "I sang" or "I was singing", "I lie down" or "I lay down" (present tense), "maybe" or "perhaps", "I didn't like to assume" or "one doesn't like to assume" etc. etc. and then sticking to this throughout.

Personally, I just try to imagine a character's voice in my head and ask myself whether I believe they would say what I have written for them to say or not.

[this is longer than I intended]
Reply
:iconnemonus:
That helps immensely, thank you. If I could fave a comment I would fave this one. I will have to mull it over. Listening to people in real life is definitely an important exercise I should do.

For "the little unique features", do you think the character comes first? I think to a point you can't consciously sit down and come up with quirks like that until you have a character in mind and can come up with the reasons why they speak the way they do.
Reply
:iconcrumpetsharvey:
`CrumpetsHarvey Dec 2, 2011  Professional Writer
I think it's possible to start with a distinct voice and find out whose it is, but if you've got a vague character you need to develop it's best to get to know them and work on voice from there, rather than imposing features on them.
Reply
Add a Comment: